I started my day off this morning with fantastic news – Edmonton’s Fringe reigns supreme! Stage a Revolution absolutely smashed Winnipeg’s 81,000 record – 92,100 tickets were sold this year. Way to go Edmonton! Now on to this week’s food notes:
- I finally finished reading Julia Child’s My Life in France. Though this was my second attempt at reading it, I have to say watching Julie & Julia gave me the needed push to finish the book. It’s a lovely memoir, filled with vibrant prose and hilarious accounts of Julia’s trials at Le Cordon Bleu and her decade long struggle to publish Mastering the Art of French Cooking. I loved her use of words (“marketing” and “cookbookery”), and do think the movie undercuts how much work really went into Mastering (for example, I cannot imagine communicating exclusively via air mail…in this age of technology, I can’t fathom anything less than instant). I appreciated the glimpse into the making of an American legend, and reading about the absolute joy that Julia found in cooking.
- On the topic of books – Edmonton Public Library is having their back-to-school booksale this weekend – pick up some new reading material for next to nothing, and perhaps a new cookbook or two!
- The Endless Feast is a PBS show that explores “the connection between the earth and the food we eat, one incredible feast at a time”. They will be filming an upcoming episode in Edmonton on Friday at Peas on Earth and at the City Centre Market on Saturday. It’s awesome that an American show will be featuring our city in all its glory.
- I missed out on Mary Ellen and Andres’ picnic on their Greens, Eggs and Ham Farm this year in favour of the Fringe and another local food event, but I was happy that Valerie wrote a detailed account of it.
- This is old news by now, but in case you missed it – Transcend Coffee’s second location is official: they will be taking over the Garneau space formerly occupied by Pharos Pizza. The cafe is set to open in January 2010.
- Speaking of coffee – Vue Weekly had a short piece about the relatively new JoJo’s Cafe, located inside La Piazza Dasee, this week. Turns out the barista learned his chops from Transcend (every new cafe seems to have a tie to Transcend, eh?). On a related note – the Edmontonian reviewed some of JoJo’s brunch offerings here.
- The Journal had a piece on Saturday featuring the results of a gelato taste test. The unlikely winner? Chocolate Exquisite. I’ll have to make a point to stop by sometime soon.
- If you’ve walked past Rice Howard Way, you probably noticed this sign on Co Co Di’s doors – it reads: “Co Co Di will be reopening later this year. We look forward to serving you in our new location on Jasper Avenue between 114 & 115 Street, north side”. I hope they get some foot traffic with the move west.
- Janice tipped me off that there will be a third location of Famoso in South Edmonton Common (in the area with the new Gap and Banana Republic outlets). They do already have an address and number ready to go – 1437 99 Street, 780-468-0000.
- President Obama said that he would like to see a farmers’ market set up in front of the White House. Who knows if that would ever happen, but how cool is it that POTUS made mention of it?
- The second artsScene Party took place at Latitude 53, and allowed us to scope out what is billed as the “only downtown rooftop patio”. Being at the top of a two-storey building wasn’t what I had in mind, but it still picked up a nice cool breeze. Of course, the gallery itself has a few pretty cool exhibits right now, including Trespass Act and a community gallery featuring this striking work by a Victoria High School student titled “Between Liberty and Freedom”.

Latitude 53 Rooftop Patio
- On our way to the City Centre Market on Saturday, we stopped to gawk at the new community garden in Mack’s neighbourhood. It’s beautiful, with circular paths in between plots, benches, and perhaps even a future water feature.

Oliver Community Garden
- Starved and with only $5 cash between us, Mack and I wracked our brains for something affordable to eat on the Fringe grounds on Sunday. Luckily, we remembered Chicago Deep Dish (8114 104 Street, 780-413-8866). At $2.50 a slice, it’s still the most economical purchase on Whyte.

Ham & Pineapple Slice from Chicago Deep Dish
- Chris had mentioned something food-related was under construction next to Bubble Juice on Whyte. Turns out, he was right – Irie Foods will be open on September 1, 2009. It looks like they have another location in Mill Woods – anyone know if this is replacing that store or is an additional one?

Irie Foods on Whyte
- It will be hefty competition for TZiN, but Kelsey seemed to know it was coming: Lit Wine Bar will be opening up on the ground floor of one of the Icon Towers.

LIT Wine Bar on 104th Street and Jasper Avenue
- There’s also a new bubble tea place in Chinatown on 97th Street. What downturn?

Bubble Tea Cafe
We started the afternoon off at a new Fringe venue – The Laugh Shop – to see The Art of Being a Bastard. Set-up cabaret style not unlike the Yardbird Suite (which I similarly don’t like), the hodgepodge of chairs and tables wasn’t an ideal theatre. The play, one of two written by Matt Alden this year, was another very contemporary look at life, this time out of the lens of three shy twenty-somethings who wished they had more luck with the ladies. It was an enjoyable hour, though it did take a while to get going. The three actors kept up with the fast-paced production very well, juggling multiple characters and visibly sweating after a few of the frantic side-scenes (Mack in particular enjoyed the rap number, while I loved the Saturday Night Fever nod). It was another light, fun play that I imagine was written specifically for the Fringe, but of the two I watched in this category,
Our last play this year was David Belke’s A Final Whimsy. Watching Belke’s yearly offering (this year marked his twentieth festival) has become a tradition for me. Whimsy focused on two sisters rehearsing a song for their father’s upcoming wedding, and needing to hash out some of the mysteries surrounding their mother’s departure from their young lives. Although the church setting was appropriate given the context of the play, the echoing acoustics made the dialogue hard to follow sometimes, particularly when the conversations were heated. That said, the vaulted ceilings worked for the musical portions of the show, with Andrea House’s rendition of “All I Have to Do is Dream” being the delightful standout. In all, it was a sweet story about family and what people will do to protect each other from painful truths.
Having taken the day off, I started off day 7 of the Fringe solo. My first show that day was
Thankfully, my day would get better – 



















Since volunteering for Front of House, it’s become a habit of mine to always seek out the main show boards at the information tents or box office at the Arts Barns. I like to see what shows have been selling out, particularly after good reviews in the Journal. I checked them out this afternoon while we were on the grounds, and it looks to me like there are a higher number of sold out shows than usually expected this early on in the festival. They also seem to have no correlation to reviews in the paper, though I have to say I haven’t done an exhaustive comparison. Most surprising to me is that not a single show of Spiral Dive has sold out, in spite of getting the only five-star review thus far. Perhaps the La Cite venue really is too far off the beaten track for most festival-goers to seek out?
Anyway, Mack and I watched two shows today – the first was
Mack picked our second selection for the day,
I was particularly interested to see Revolution Square, billed in the program as a multi-use area and internet cafe. What it is in actuality is a beer tent that substitutes coffee for beer, with four computers set-up with internet access. It’s a nice family-friendly idea that provides an expansive seating section, but we’ll have to wait and see if it is utilized.
Our first show of the day was
Later that afternoon, we took in 
The Plays: perhaps this one is too obvious, but the Edmonton Fringe needs your help to break the ticket plateau of 77,000+. While that number seems like a lot, and did help us earn and keep the title of the largest North American Fringe for many years, we have now been surpassed by Winnipeg, who amassed over 81,000 in ticket sales this year. Given the maximum you will pay for a ticket is $14 ($12 of which go directly to the artist), it is not only a steal for some of the best theatre to hit the streets, but also $6-$10 cheaper than comparable productions in the city throughout the year.
The Vendors: though craft shows may be all the rage now, I still love to stroll the vendor-lined alleys for handmade treasures. Whether it be jewelry, fashions or keepsakes, there are always interesting booths to be explored at the Fringe.