Two weeks ago, Mack and other social media folks were invited to attend an Edmonton Symphony Orchestra concert as a thank-you for having blogged about their shows in the past year. It was a nice gesture, and we happily accepted the tickets.
The tickets say “ESOBLOGGERS” in the top left corner!
The show was Late Night Paris, their second in a series that debuted this year with a later start time (9:30 p.m.), no intermission, and is billed as “interactive and spontaneous” with an opportunity to chat with Conductor Bill Eddins. The concerts also feature live jazz in the lobby afterwards, making for a very full night.
Before the show, we met up with Philip Paschke, the ESO’s New Media Specialist, and organizer of the blogger appreciation event, at Moriarty’s. I was tempted to order a dessert (made by Duchess!), but stuck with a drink. While I enjoyed the very pink Bellini, the stem of the glass was sticky. Ick.
The group eventually made their way to the Winspear, and then parted ways, as we were all given the choice of where we wanted to sit. Mack, Jeff, Brit and I all took the plunge and opted for a seat in the Choir Loft, behind the stage.
Jeff and Brittney
The Choir Loft definitely provided me with a different perspective of the orchestra. Not only were we able to watch the audience from our seats, but spy on the musicians as well, and notice all the small details (page turning, mallet swapping) that go unseen when facing the stage.
That said, an unfortunate consequence of our placement was an inability to hear what was being said into the microphones, as the speakers in the Winspear Centre face the opposite direction. Brittney said that she didn’t have any trouble discerning the banter between Eddins and Conductor Luke Waldin, but for me, it felt a bit like watching the one-sided conversations with the teacher in Charlie Brown – after some muffled sounds, the audience would erupt in laughter.
Bill Eddins and Luke Waldin
As advertised, the tone of the evening was very light – at one point, Waldin even walked on stage, just before Eddins was about to begin another piece, with a glass of wine in his hand. The mood was noticeably more carefree than some concerts I have been to in the past – I can see how this series would appeal to a wider range of people who might appreciate music but may not have the knowledge that more serious patrons do.
As for the music, I loved the Bizet Symphony in C Major – spirited and uplifting, it was a joy to listen to. Eddins is always fun to watch too – he conducts with his whole body, complete with kicks and full arm sweeps.