Food Notes

  • Think twice before dipping: an article in the Journal of Food Safety warns about the amount of bacteria that may be present in the communal dip bowl. The best quote from the article is from Professor Dawson, who proposed the study, “‘…before you have some dip at a party, look around and ask yourself, would I be willing to kiss everyone here? Because you don’t know who might be double dipping, and those who do are sharing their saliva with you.'”
  • From a very cute blog called Cupcakes Take the Cake: Chinese New Year cupcakes (with what looks like gold leaf!), Super Mario-themed cupcakes (the mushroom is too clever), and a very elegant Neopolitan cupcake (this recipe is definitely a keeper).
  • Rob Feenie is no longer unemployed: as reported in the Globe & Mail, he will be the “food concept architect” for the Vancouver-based Cactus Club Cafe chain of restaurants. I can’t help but think he is biding his time until opening up another restaurant of his own, even though Feenie claims this isn’t a “step down”, so to speak.
  • Speaking of Vancouver, a recent episode of Giada’s Weekend Getaways saw the host touring the city’s sites. She avoids the Robson area altogether, opting to visit spots in the more locally-trendy neighbourhoods, including Yaletown, Gastown, and Granville Island. While her visit to Lumiere was friendly, the waiter serving her was a tad too distant, and while out at Vij’s, she and her friend were actually served by Vikram Vij himself (sure, they don’t cater to celebrities…). Salt Tasting Room, a wine bar, looked pretty cool, and would be a place I would consider visiting.
  • Had questions about favorite foods of the U.S. Presidential candidates? Wonder no more. (The Associated Press article is also a good read – Giuliani’s hidden talent made me laugh.)

Edmonton Symphony Orchestra: Robbins Pops Big Band Celebration

On Saturday night, Dickson and I headed to the Winspear Centre for an Edmonton Symphony Orchestra concert, the latest instalment of the Robbins Pops series: Big Band Celebration.

Our tickets were purchased before I knew about the Pulse8 Club, so instead of sitting in the more agreeable terrace or first balcony, we were in the gallery. I didn’t really have any complaints about the distance, but the Winspear management might want to look at the safety issues of those trying to navigate to their seats in the first row of the gallery – the narrow space between the chairs combined with the low railing is a safety hazard.

The view from the gallery

I just started going to the Symphony in September, so I don’t have that many concerts to compare with, but in my limited experience with the ESO, this has been my favorite so far. Big Band jazz especially puts a smile on the listener’s face, so while the spirited introductions from Conductor Erich Kunzel about the history of the era and the songs were lost on me, I still immensely enjoyed the music. “In the Mood” and the concert-ending “Sing, Sing, Sing” were my favorites.

This performance was extra-special because of the non-ESO performers. Steve Bailey and Nathalie Gomes, Lindy Hop Champions in their own right, danced through some of the numbers. They made it look easy, effortless, and incredibly fluid through some very difficult lifts and throws, and made the audience gasp on more than one occasion. Singer Jefferey Berger, on the other hand, I could have done without. His weak voice was exposed on “New York, New York” in particular, though he did do better with the slower “My Way”. Yes, Berger is only 21 and still a student, but I can’t help but think that Kunzel could have picked someone better.

On a related note, the ESO is looking for bloggers interested in live blogging during an upcoming concert. More information here.

Among Friends, but Not Good Food: Boston Pizza

In high school, Boston Pizza used to be at the top of our restaurant repetoire. I suppose it still is a frequent fallback choice for large group gatherings, but not as often as in the past. While undoubtedly comfortable and low key, I’ve found the food at BPs unforgivably inconsistent, so I deign to eat there unless absolutely necessary.

Dickson and I found ourselves there for his friend’s birthday dinner, and needing to quiet our hungry stomachs before a night at the symphony, we ordered a new menu item to share – Boston’s Poutine ($6.25).

It was thankfully quick, but nothing exceptional. For that price, I could have ordered nearly two of Route 99‘s generous servings of poutine.

Boston’s Poutine

Film: “Helvetica”

“A movie about a font? Okay.”

I knew that Mack had wanted to see Helvetica for quite some time, but the above is what I was thinking when he asked if I had wanted to come. But after reading the description of the film, I found out that it had more to it than that. From the website:

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives.”

Friday night’s showing at Metro Cinema included a pre-screening party hosted by the Alberta North Chapter of the Society of Graphic Designers of Canada, which meant the majority of those attending were in some way connected to the profession itself. While we didn’t feel out of place, when the audience laughed in unison or recognized a familiar face in the movie, we of course didn’t.

The movie in itself was interesting, really exposing to me the pervasiveness of Helvetica everywhere (I was waiting with bated breath for Crate & Barrel’s logo to show up on screen). By the end of it, every metaphor you could think of to possibly describe how design permeates our lives (e.g. it is the air we breathe) was used. Helvetica as a whole, however, was perhaps too focused on the industry perspective. Mack for one wanted more feedback from those not intimately connected with design. That said, the filmmaker’s strength was choosing to put very passionate people in front of the camera, including the very amusing Erik Spiekermann and Massimo Vignelli, who were both unintentionally funny.

As documentaries go, Helvetica isn’t bad. It will just have more meaning for you if you have an interest or work in design.

A Better Lunchtime Bistro: Allegro Italian Kitchen

Inspired by a true 2-for-1 coupon offer, Mack and I met up at Allegro Italian Kitchen (10011 109 Street) for dinner on Friday night.

I have been to Allegro only once in the past, lured there by the promise of a live piano player on Saturday evenings. It was my fault for ordering what I did, but the chef used an amount of orange zest only reconcilable for those with scurvy.

Walking in just before 5:30pm, there was only one other table occupied. The efficient hostess sat us near the kitchen, which I didn’t mind for the relative warmth it provided (and the distance away from the door – it was freezing outside). As I surveyed the dining room – with a piano situated in the corner and a dessert case and bar along one wall – it occurred to me that Allegro was more of a bistro than anything else. Sure, the dim lights and tabletop candles provided some ambiance, but with awkward metal furniture and an open space that couldn’t have been filled with more seats, Allegro fit the archetype of a restaurant more suited for the jostling lunch crowd than a quiet dinner.

I completely forgot to snap a picture of the menu, and thus, the food details will be few and far between in this review. The name of Mack’s pasta order has been lost on me, while I ordered the veal-filled cannelloni. To avoid any possible rudeness with the bill later on, I mentioned up front to our server that we intended on using the Entertainment Book offer. She acknowledged this, and remained friendly throughout the evening.

Our entrees arrived very promptly, and I don’t think our portion sizes suffered at all from the mention of a coupon. My cannelloni was drenched in a lovely, rich cream sauce, peppered with mushrooms just slightly cooked (the best way to eat them, in my opinion).

I have no real complaints about this experience at Allegro – great service and good food. But as a whole, I do think it is more conducive for daytime meals; the price and lack of real ambiance just don’t mix.

Interior

Mack’s pasta

Cannelloni

Better than your Average Sub: Saigon Givral

Lunch options around my workplace are few and far between. While our location is great for those who are looking for a mid-afternoon jolt of fresh air via a stroll in the park, the only quick food spots are the Copper Pot (expensive to eat-in, but better than their take-out menu) and Zuppas (has a cult following because of a dearth of neighbourhood choices, I think, as their mainstay wraps and pastas are just not that good).

A few coworkers and I were looking for fresh ideas, and I remembered Saigon Givral (11005 Jasper Avenue). Offering a healthy and interesting alternative to sandwiches, their Vietnamese subs were praised by many, including May.

Though we really could have bundled up and walked, we took the easy way out (or more challenging, actually, having to navigate the one-way roads) and drove. My coworker dropped me off at the non-descript strip of businesses beneath an apartment complex and drove off to find parking.

Entering Saigon Givral, it is clear that their primary mode of business is takeout. The space is dominated by the counter, where the subs are made fresh to order. There were a few small tables and folding chairs set up against the perimeter of the entrance, but I’m sure for the most part they functioned more as a waiting area than anything else. I was greeted by the friendly proprietor, who promptly took down my multi-item requests. It was early for the lunch crowd (11am), but likely the chilly weather deterred what is usually a brisk time of business for them. The lack of accessible parking reveals the nature of the typical Saigon Givral customer – those within walking distance in the towers nearby.

For $5.25 (including tax!), I was given an oven-toasted 12 inch sub filled with either satayed chicken or beef, mozzarella, pickled carrots, cucumber, onion, green peppers, cilantro, homemade mayonnaise and black pepper for some kick. I agreed to split half of my chicken sub for half of my workmate’s beef version, so I was able to try both types of meat. In my opinion, the beauty of these subs was the absolute melding of flavours. The cheese melted between the crevices in between the vegetables and the meat, and the mustard-y mayonnaise rounded out the sandwich nicely. My only modest critique is that Saigon Givral uses regular submarine bread (as opposed to the more traditional French baguette), but even that can be overlooked for the sheer portion size and the preference that some people have for softer bread.

The proprietor recommended calling ahead to order (hours are 10am-7pm, Monday to Friday, and 11am-5pm on Saturdays) for prompt pick-up, but as my brief wait was pleasant, I don’t think I would mind just dropping in again in the future. And really, for $5.25, the deal cannot be beat by anyone else within walking distance of Saigon Givral.

Restaurant Exterior

Interior

My sub

Edmonton Opera: “H.M.S. Pinafore”

I had heard about Edmonton Opera‘s Explorers’ Club a few years ago, but it didn’t seem economical to join until I read about their 2007/2008 lineup. The venerable Stewart Lemoine would be rewriting Gilbert & Sullivan’s H.M.S. Pinafore, and thus, even if I didn’t use my membership to purchase tickets for the other shows that season, it would still be worthwhile.

As the play neared, it was released that Jeff Haslam would be among the cast members. At the time, I thought his involvement was more of a token gesture; a thoughtful inclusion of a longtime Teatro associate. Little did I know that he would play a leading role, if not one that upstaged the rest of the cast all together.

While this was my first opera, it wasn’t my first experience at the opera. I had volunteered during the earlier run of Carmen, so I knew that many, if not most of the patrons dressed to the nines (yes, cocktail dresses and four-inch heels in the dead of winter). The majority of the audience was not surprisingly comprised of the older set, though I do think the Explorers’ Club is doing a fine job of trying to foster appreciation of this art form with younger professionals.

I convinced Mack that the Opera Talk prior to curtain was a good way to orient ourselves to the history, plotline and characters of Pinafore, so we arrived earlier enough to join a modest crowd in the Kasaa lobby. I didn’t understand all of Dr. David Cook’s jokes, but the overview of the story would be helpful to my appreciation of the show later on. Mack and I both thought that he seemed a little too keen on Jeff Haslam, however.

I don’t know Gilbert & Sullivan well enough (well, at all, really) to recognize how Lemoine “improved” the script, but in the end, Pinafore really didn’t seem like that much of a leap for him – farce is his specialty, romance his standard, and unusual settings his forte. This opera could be considered typical Lemoine…with musical interludes. I will admit that it was no small joy on being able to hear “He is an Englishman” sung live, as it was used in one of my favorite episodes of West Wing (“It’s from Penzance!” “No, it was from Pinafore!”). And Haslam? He was tailor-made for the role of flamboyant, self-centered Sir Joseph Porter, so much so that I can’t help but think that Lemoine must have specifically requested his participation, as the part was undoubtedly written with him in mind. He was hilarious in his mannerisms, delivery, and even his uproarious laughter (because no one has a cackle as distinctive as his).

As for the production itself, I had a few nitpicks. The lighting was odd throughout, bordering on distracting, actually (was the blue, spinning, simulation of the waves really necessary?). It also seemed that the costume designers should have given Ralph Rackstraw’s character some kind of distinctive piece to wear; otherwise, he too easily blended in with the rest of the ship’s crew. The symmetrical set was functional and allowed for great visuals and movement during the chorus numbers, but I couldn’t see how it was as “special” as continuously touted in the program and in the show’s introduction by Artistic Director Brian Deedrick.

As a member of the Explorers’ Club, Mack and I were able to partake in a pizza and beer reception during intermission. Getting to and from the second balcony to the basement of the Jubilee Auditorium in twenty minutes was a slight challenge though.

Opera really isn’t my area of expertise, but all I hear is how expensive it is to produce, and how ticket prices barely cover the costs (Deedrick offered the statistic that only 42% is reimbursed through ticket sales, while the rest is supported by government donations and private sponsorship). If that’s the case, isn’t it possible to offer more than three shows, given what must be a very large overhead to construct sets and costume from scratch, on top of rehearsals and expenses that I can’t even begin to know? Perhaps there isn’t enough demand (or people who can afford to see it) in Edmonton, but it just seems an extraordinary waste of resources to only offer three opportunities to see a very good local production.

I’d like to attend Falstaff in the spring (my last chance to get “cheap” tickets this year), and I do think that will be a more genuine litmus test as to whether or not I truly enjoy opera. Pinafore was a treat, there being just a slim chance that I wouldn’t find it entertaining – it was in English (making the availability of supertitles less of an issue), penned by Lemoine, featuring Haslam, and more light hearted than what I’d expect from more traditional operas. This was “opera-lite”, so after Falstaff, I will reassess my feeling about the medium then.

Haslam in H.M.S. Pinafore

The Cooking Chronicles: White Chocolate Mousse with Berries

This article from the Globe and Mail and this one from the New York Times both capture how I felt coming up to Super Tuesday. After a mini “Primary Party” held on the day of the New Hampshire primary, I had been planning on having a “Super Tuesday Shindig” (hee) for some time, even if it were just me in attendance.

While I wish I was as creative as some of the party hosts mentioned in the articles (a drink named Barack’s HOPE, or even better, Clinton sausage ball appetizers), I thought a dessert made using the colors of the American flag would be a nice touch.

Donna Hay’s Instant Cook provided the recipe – White Chocolate Mousse with Berries. Resembling Panna Cotta more than what I usually regard as mousse, the only difference between the two recipes was the addition of white chocolate and the subtraction of honey. The mousse was also a lot faster to put together – both in stove top and necessary cooling time (only 45 minutes!).

Because of the chocolate, the mousse was slightly heavier (even though I halved the chocolate quantity by accident…). The use of frozen blueberries was also a bad idea; the juice seeped from them when I thawed them in the fridge, leaving them rather bland tasting.

While I received neutral feedback for the dessert, my family and Mack all commented that they much prefer Panna Cotta. Perhaps I will play with this recipe in the future; it would function as a great last minute dinner dessert, and could easily set while dinner is being served.

White Chocolate Mousse with Berries

Quotable Potpourri: Installment Nine

  • “I rather like my stumblings. Sometimes, they lead me to some pretty great places.” – Jennifer Aniston
  • “It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek….Acting serves as the quintessential social lubricant and a device for protecting our interests and gaining advantage in every aspect of life.” – Marlon Brando
  • “Elegance is good taste plus a dash of daring.” – Carmel Snow
  • “Of all the things you wear, your expression is the most important.” – Janet Lane
  • “It’s a helluva start, being able to recognize what makes you happy.” – Lucille Ball

Random Notes

  • Congrats to my sister Felicia and the rest of her McNally cheer squad for winning first in their division in the University of Alberta Extreme Cheer Competition this weekend.
  • Do you remember S Club 7? I’ve been listening to some of their “hits” and have been reminded of how sweetly addictive their music is. Besides that, their videos are just as cute as they were when I first saw them (“You”, for one, and “You’re My Number One”).
  • Another Sawmill is opening up in the Capilano Mall parking lot in May, reports the Edmonton Journal.
  • Mack pointed me to a very cute blog titled simply breakfast – every day the author posts a photo of her morning meal. I may end up with breakfast envy, heh.
  • I tried a chocolate cupcake at Starbucks this week (these perfectly preserved sweets show themselves right around Valentine’s Day). It wasn’t as good as the vanilla version, but for $2.05 including tax, it’s a great way to satisfy your sweet tooth.

    Tempting, no?