On Saturday, Mack and I took in a matinee performance of Meat Puppet at the Varscona Theatre, a show put on jointly by Shadow Theatre and Northern Light Theatre (speaking of which, NLT has such striking poster designs this year – the use of dolls is eye-catching and inspired, though I suppose the poster for Pervert may not be embraced by all).
This show will be the introductory production for many to the work of Leif Oleson-Cormack, though he has also written shows for the New Works and Fringe Festivals. That said, Meat Puppet’s dark nature, exploring the motivations behind a fictional television program similar to NBC’s much-maligned series To Catch a Predator, is a departure from his previous two Edmonton shows. Meat Puppet is billed as a comedy, however, so I still expected it to highlight Leif’s wit and penchant for snappy dialogue.
The banter was enjoyable, particularly between the show’s host, Chuck Dalmer (John Hudson) and his plucky producer Deb (April Banigan). On the other hand, the tone of the play was perplexing – it tried to straddle the line between comedy and drama, but probably would have been more successful if it had chosen one or the other. I suppose for me, anyway, shows like To Catch a Predator always seemed to lure viewers with a morbid curiosity, rather than those looking for a cheap laugh – so the downfall of the “predators” always seemed more tragic than funny.
I did like the connection of this kind of train wreck journalism with the internet sensationalism that continues to gain momentum today, however – it might be even more dangerous than television because of its instantaneity and ease to be shared.
If anything, Meat Puppet was a thought-provoking play, especially in this age of reality programming, where producers and editors can manipulate – and sometimes create – the “truth”.
Meat Puppet runs at the Varscona Theatre until February 6, 2011.