Edmonton Symphony Orchestra: Lighter Classics, From the Heart of Broadway

Dickson had been looking forward to the Edmonton Symphony Orchestra’s From the Heart of Broadway edition of Lighter Classics for some time, and I was eager to see what Sheri Somerville could do on a non-theatrical stage.

After a few concerts, I now know that my personal enjoyment of the symphony hinges on: 1) whether I recognize or have a prior connection to the music; and 2) have non-music distractions to focus on. The only song that I had heard before was parts of Oklahoma!, but other than that, the majority of the pieces were too slow for my sleep-deprived brain to follow. The upbeat, brass heavy songs were my favorite – so much so that I kept wishing they would reprieve some of the Big Band jazz from the concert I attended earlier in February. Thankfully, James Campbell on the clarinet was a saving grace of sorts – an undeniable talent, his encore was much appreciated.

As for Somerville, her attempts at opera-fying Porter and Gershwin tunes were miserable failures. Dickson said it sounded as if she had a cold, or was trying to sing with something stuck in her throat, and I couldn’t disagree – her efforts at falsetto were misplaced. As such, I thought she was completely the wrong choice for the type of songs she was asked to sing…until “Worst Pies in London” from Sweeney Tood. Part acting, part singing, she nailed it, though the cheekiness of the song helped as well.

William Eddins conducted this concert, and watching him is always a treat. While he didn’t jump on the stage this time around, he is always a wonderful host, vibrant and deeply passionate about music. He would undoubtedly make a great dinner party guest! Dickson was really impressed by his ability to simultaneously play the piano and conduct. (On a related note, he will be guest conducting Porgy & Bess in Lyon in May, and invited those in the audience to join him in France. He offered a free ticket to the concert, as well as a dinner together in September. Any takers?)

While I can’t say I wholeheartedly enjoyed this concert, the ESO continues to amaze me with their sheer number of events, and consistent ability to pack the house. I really relish my membership in the Pulse8 Club for providing these inexpensive opportunities of exposure to the symphony and its surrounding music community.

Appearances Can Be Deceiving: The Golden Bird

“This is it?”
“I’ve driven down this street hundreds of times and have never noticed it before!”

The Golden Bird (10544 97 Street) features a storefront so aged that it literally blends with its surroundings, resembling one of those sad ghosts of a business that reflects only a past of prosperity. Of course, even if the exterior didn’t suffer from neglect, the surrounding block of merchants would make it difficult to maintain the sheen expected of a restaurant with a name that conjures up images of phoenixes in flight. Still, the reputation of The Golden Bird precedes itself; coworkers of both Dickson and I have personally recommended their brand of Vietnamese and Chinese cuisine to us.

On Thursday, we made our way to Chinatown, found some parking at the rear of the building, and walked inside. As my colleague had warned me, the interior was in serious need of a Restaurant Makeover. I didn’t mind their penchant for outdated and cheap art (Kim Andersen prints), but I do think that their furniture could use a major overhaul. Dirty from years of use, the chairs were coated with grime. The tables were topped with glass, and underneath, as custom with many ethnic eateries, were copies of outdated reviews from local news media. The articles indicated The Golden Bird does most of its business at lunch (both takeout and dining in), which seemed to be true, as the restaurant had just two patrons as we sat down. But through the course of our meal, other tables filled up with families, groups of friends, and couples, most of them appearing to be regulars.

The menu featured standard Vietnamese and Chinese fare (and interestingly named dishes, such as the 5 Colour on Rice or Vermicelli), but as Dickson and I are both pho enthusiasts, we jumped straight to the noodle soup section. My decision was an easy one – I always opt for the bowl featuring medium rare sliced beef ($7.50), while Dickson typically selects whatever the house special is. In this case, it was the Golden Bird Beef Noodle Soup ($8.50), with all kinds of meat but no egg. For comparison purposes, we also added an order of green onion cakes ($3.95).

Asian restaurants are known for two things: cheap eats and quick kitchen-to-table service. The Golden Bird was no different. Our green onion cakes arrived promptly, still glistening from their deep-fried treatment. I found the cake itself to be quite doughy, and needing just a tad more salt, but they were still a satisfying and promising start to our meal.

Our noodle soup bowls arrived even before we had a chance to finish our appetizer, steaming hot and inviting on a winter’s night. Shredded cilantro, green onion slices and slivers of red onions floated on top in a lovely medley of fragrance and flavour. I was a tad disappointed in the small quantity and toughness of the meat, but the broth, savoury and coming perilously close to matching Pagolac’s perfection, made up for it somewhat.

Neither Dickson nor I were willing to concede the southside Pagolac’s pho crown, but we do believe that The Golden Bird will provide a tasty and pleasing alternative to pho lovers in the downtown core.

Exterior

Interior

Green Onion Cakes

Golden Bird Beef Noodle Soup

Medium Rare Beef Noodle Soup

Close-up

Kerstin’s Chocolates: The Cocoa Room

Kerstin’s Chocolates (11812 121 Street) opened its first store, The Cocoa Room, about three weeks ago. I have seen their signature Chocophilia bars at shops around the city, but had never purchased one to try. A random Wednesday seemed like a good time as any to see what all the fuss was about.

From the website, a quote from founder Kerstin Roos about what sets their products apart:

“There are three big differences between our chocolates and the majority of chocolates out there. We use only single-bean aromatic varieties from the top-end plantations in the world. We make our own products by hand for the best quality control and freshness. And we are exploring ways to connect with our local food culture by incorporating local products like organic Evans cherries grown just outside of Edmonton, or locally grown hemp hearts into our recipes.”

The Cocoa Room, tucked underneath a residential apartment building, is tiny. Clean white, with shelves neatly organized to show off its wares, the interior reminded me very much of the boutiques in the High Street area. As I walked in, I could hear pounding – not the sound of hammers, but of de-moulding chocolate.

A store clerk immediately came out to greet me, and once I let her know that this was my first visit, she started introducing some of their Chocophilia flavour creations. The website only lists 13 varieties, but as she gave me a sample to try that isn’t included in the online catalogue, I do believe the store has more extensive stock. The white chocolate lime was such an unusual combination, but worked, melding the richness of the high cocoa butter content with bites of citrus tang. Chocophilia Hot (with cayanne pepper) snuck up on me, needing a few seconds before releasing its heat in the back of my throat. I also tried Kerstin’s Chocolate Caviar – cocoa nibs from Venezuela dipped in 65% dark chocolate then rolled in cocoa powder. Kind of like a cross between a cocoa puff and a coffee bean, I’m not sure they’re as addictive as advertised, but I can see them being used as a unique garnish on desserts.

Beyond their house-made bars, they also sell imported, single-origin chocolate bars, drinking chocolate, melting chocolate, and yes, even books about chocolate (I spied Charlie and the Chocolate Factory!). The store will also begin offering monthly chocolate tastings (for just $15) in March, although that sitting is already fully booked.

I ended up with two bars – the Fleur de Sel (49% milk chocolate with sea salt) and the Mocha Bean (65% dark chocolate with crushed coffee beans). Chocophilia is not cheap – at $3.95 for a 43g bar, this isn’t your average corner store craving run. But with the undeniable appeal of being an Edmonton owned and operated business, and their admirable ideals for purchasing locally, it was a small price to pay for contributing to a home-grown company.

Back to the chocolate – the clerk said that because all of the chocolate is made in-store, freshness is guaranteed. I could tell this was true just from opening the packets – the aroma was unmistakable. The salt kernels in the Fleur de Sel were detectable, but not as a point of distinction. I much preferred the Mocha Bean – the crunchy additive of fresh Transcend Coffee-roasted beans was delightful, and of course, the tried and true combination of coffee and chocolate was a winner.

It occurred to me that incorporating locally-grown or manufactured products into a dinner party would be a subtle way of introducing friends to what is available in the city. From an Inspired Market Garden salad to organic vegetables from Peas on Earth, to beef from Spring Creek Ranch (Judy Schultz just published a story about the family behind the farm), it would be an interesting exercise to spur discussion about the locavore movement, and to share knowledge about the stories behind products – something that is almost always absent from groceries picked up en masse at the supermarket.

Check out The Cocoa Room for some great chocolate goods, and let me know your favorite flavours!

Kerstin’s Chocolates

Chocophilia galore!

Theatre Network: “Famous Puppet Death Scenes”

Even a day later, I still don’t know what to make of Famous Puppet Death Scenes.

I felt a pang of regret last year when I missed the Calgary’s troop’s performance at the Roxy, having heard many good things about them, so I made sure to note the date of their return engagement in 2008. On Tuesday, we joined a full house to watch re-enactments of the most macabre moments in puppet theatre history.

A fairly standard puppet theatre frame, with a large curtained window flanked by two smaller ones, greeted us on stage. Everything started out well enough, with a rubber puppet resembling a face crafted out of an upside-down chin doing its best to elude a stalking wooden fist intent on destroying it. Scenes featuring this figure doing its best to dodge death (accompanied by some upbeat, trumpet-blaring music) were sprinkled throughout the play, and were always a welcome sight. I couldn’t help but laugh at the way its arms would flop as he did a happy dance.

A host figure (who looked like a green-tinged Albert Einstein) was used as a unifying force of sorts, trying to stitch together the individual scenes by posing thoughtful questions. But with some of the rather comic deaths following such requested introspection, pointed reflection quickly dissolved into laughter. Still, the sequences that were punctuated with humor ended up being my favourites, including the squeaky-voiced German figures that had to choose between two fateful doors, game-show style, or the futuristic, immortal Johnny Depp-lookalike aliens who had no concept of death. Unfortunately, funny was few and far between. The majority of the scenes involved more symbolic, solemn representations of death, such as the role of time in its erosion of life (in the morose but excruciatingly slow The Cruel Sea), the long, telling blink from a single large eye in The Last Whale, or the flight of King Jeff the Magnificent through space. By the end of the play, I was so exhausted from trying to stay awake that any profound message I was meant to gather would have been lost on me.

Content aside, I did appreciate the craftsmanship that must have gone into the puppets themselves. The Old Trout Puppet Workshop demonstrated their expertise with different types of material and a variety of styles, including marionettes and hand puppets. Mack liked the distinct backdrops used to set the individual scenes, which helped the viewer imagine the type of world that particular puppet inhabited (the alley created for The Beast of Muggditch Lane had great lighting too).

While I don’t deny the chance that I simply didn’t understand what the company was trying to get across, I think it is quite possible as well that the premise of the play – funnelling through unrelated, random sequences from multiple sources – may ultimately have reduced the connection that could be fostered between characters and an audience throughout the course of a full-length play. So although death was the common link throughout, Famous Puppet Death Scenes was too plodding and scattered for me to recommend.

Better with a Discount: Mr. Mike’s Steakhouse & Bar

Mack suffers from an affliction I’ve termed CAD, or Coupon Aversion Disorder. The idea of saving a couple of bucks is usually enough to entice the would-be diner, but with Mack, the opposite effect is true. So count me as shocked when he took me up on a (God forbid) 2-for-1 offer at the newest franchise to shack up on Bourbon Street in West Edmonton Mall – Mr. Mike’s Steakhouse & Bar (1647, 8882 170 Street).

Open since June, the only thing I had heard about the restaurant was that a decent, reasonably priced meal could be had there, courtesy of James. A quick once-over of the online menu revealed no surprises – the typical mix of share-plate appetizers, burgers, one-off pastas and stir-fry bowls, and of course, steak. Prices, as we would discover, are less than those found at The Keg.

Mr. Mike’s doesn’t take reservations, but early on a Tuesday evening, pre-booking wasn’t necessary. I was promptly seated in the small, dim lounge near the front of the restaurant, and as I waited for Mack, surveyed the decor. Besides a decorative Native carving of some sort, I couldn’t figure out what the slogan, “It’s a West Coast Thing!” was supposed to mean. Based on our seating arrangement, on IKEA-esque chairs more suited for a sitting room than a dining area, and a sectional couch along one wall (pity the poor soul who has to eat meat bending over a low table), I figured those on the coast just don’t know how to use space wisely and practically. That said, we could have requested a booth in the proper dining room, which featured a rather lovely bar and a high ceiling. But with the onslaught of food we were about to receive, in the end, it didn’t matter where we were seated.

Mack arrived shortly after, and I convinced him, as we perused the menu, to come over to the dark side of the great coupon divide. Thus, we both ordered steaks: he the 9oz. New York, supersized into a Classic Combo ($26.99) which included a Caesar salad, sauteed mushrooms, and starch in the form of fries, and I the 6oz Filet Mignon, served with a side of roasted garlic red-skin mashed potatoes ($25.99). We also requested a plate of Calamari ($8.99) to start.

Our server was nice, albeit perhaps not genuinely so. I’m almost certain she is very good at her job, but on that night, she had a shadow of a trainee, which can throw off the best of us. Thus, she ended up forgetting about our appetizer order, and made it up to us by offering the calamari on the house. As with most things fried, I enjoyed the crunchy little morsels, but Mack claimed calamari supremacy still belonged to Earls. Mack’s salad was a meal in and of itself; he even resorted to packing up the last half for (yes) lunch the next day.

The steaks arrived in no time. I thought Mack’s ridged plate would make it difficult for him to cut through the meat, but he didn’t seem to have any trouble with it. We had both asked for medium preparation, and it was perfectly done for both of us; my filet mignon was incredibly juicy and tender, and the peppercorn cream sauce provided some bite and high caloric flavour. The side of onion rings, tasting very similar to those at A & W, were a nice treat as a less common accompaniment.

With our coupon (and our server’s mistake), we ended up with a bill totalling only $33 before tax and tip. The food was great though, and even at regular price, I would have heartily enjoyed the meal. Still, life’s better with a discount, so hopefully this tale will help others with CAD realize that exercising frugality really isn’t so bad.

Caught in my food blogging routine

Calamari

Caesar Salad

New York Classic Combo

Filet Mignon with Garlic Roasted Potatoes and Onion Rings

Mack enjoying the calamari


My (almost) empty plate

Food Notes

  • Edmonton Dining Week runs March 7-16. A list of participating restaurants is up, but no menus as of yet. I think I’d like to try Ric’s Grill this year.
  • Do you have a renegade child chef on your hands? It seems Food Network is attracting its own very devoted sect of young fans.
  • The headlines incorporating the word “Bam!” have been overdone, so I’ll just say: Martha Stewart Omnimedia acquired some of Emeril Lagasse’s rights this week.
  • Reality bites: a Chowhound piece about second careers in food that failed. I like Jacquilynne’s comment: “I’ve added this to my favorites so I can come back to it and read it every time the idea that I could totally open a cafe crosses my mind. “
  • How many more Italian chefs needs their own line of EVOO? Giada does, apparently (and seasoning salts too!).
  • How would you like some history with that tea? Hotel Macdonald’s Royal Tea & Tour would make a day out with your Mum.
  • My beloved Blue Plate Diner has changed their menu. This wouldn’t be so bad, except they forever altered my meatloaf! I tried the “new” version the week before, and while I may warm to it eventually, it just wasn’t the same.
  • In Take-Out Adventures: Part 4, my colleague agreed to pick up lunch for a few people from Hoang Long (10715 98 Street) last week. Elma swears by their lunch vermicelli bowls, so I probably should have taken her cue, but when I saw Pad Thai on the menu, I knew I had to give it a try. While the quantity of tofu included was generous, overall, my box of soggy noodles was definitely not worth the $12.95 + tax + tip that I had to pay.

Pad Thai from Hoang Long

Defying Expectations: Wildflower Grill

A fair food blogger reveals biases. So for the sake of full disclosure: I entered Wildflower Grill (10001 107 Street) hell bent on hating it.

My friends and I used to go to Lazia (10200 102 Avenue), the original of the Lazia Group’s holdings, all the time while we were in high school. We loved the swanky decor (their glass-blown centrepiece sculpture was like nothing we had ever seen before), the generous portions, and the convenient City Centre Mall location. But our affections were eventually depleted by rising prices, inconsistent food quality, and poor service. I haven’t eaten there in years.

When I had heard that the Inn on 7th was being renovated by the people behind the Varscona and Meterra Hotels on Whyte, I was excited, and even more so when I heard they were looking for a tenant to fill their designated restaurant space. However, when it was released that the Lazia Group was the winner of said space, I was only cautiously optimistic that their choice was the right one. Their many construction delays (a likely by-product of the oft-cited “Alberta boom”) that pushed their opening back from Fall 2007 to February 2008 just helped maintain my scepticism about the Wildflower. After my visit last night, however, I am ready to take most of my criticisms back.

Having been open for just three weeks, to much less fanfare than expected in the local media in part due to the lack of a full-time Bistro writer at the Journal, the Wildflower Grill is situated on the ground floor of The Matrix Hotel. My first impressions weren’t wholly positive: the plastic “NOW OPEN!” sign above the door, while understandable given their innumerable opening delays, seemed tacky for a restaurant of this supposed calibre. Upon entry, I immediately noticed the poor couple seated at one of the tables facing the entryway – perhaps they didn’t have a reservation, but as the restaurant was never at capacity during my stay, I didn’t see why such an unfortunate placement had been given to them.

I was greeted by a friendly hostess who opened with what became a standard Wildflower staff line: “Welcome to the Wildflower.” Simple and oh so effective, this was one of the many small details that the restaurant nailed in their attempt to create an atmosphere where dining is a form of theatre. Since returning from New York, this was also the first time I didn’t mind the idea of checking my coat.

The hostess led me to a table near the kitchen, which I at first balked at, given the number of empty booths away from what could have been a disruptive sightline. But I later relished the opportunity to observe the kitchen staff. The owner was literally on top of the line cooks the entire night, pacing around the area to ensure dishes were delivered efficiently and that the servers were taking care of their guests. Because of this, I couldn’t blame the staff for seeming to be slightly on edge, so eager (and needing) to please they were.

As my “Welcome to the Wildflower” server Adam went to retrieve a glass of tap (not sparkling, or bottled still) water for me, I surveyed the decor. I nearly missed the beautiful wine cases on my way in, impressive but not pompously so. Everything was chic and simple: beaded curtains; dark carpeted floor; white booths (which they may come to regret after a year of wear); flower portraits; and lastly, a genuine, stemless orchid in a small hand-blown glass bowl on each table – management were really pulling out all the stops.

Shermie joined me soon after, and we took our time to peruse the page-long menu. I had warned her that the entrees were expensive, with plates ranging from the $26 butternut squash ravioli to the $49 beef tenderloin & lobster pairing. But to be fair, the prices are on par with other boutique hotels in the city, such as Madison’s Grill at the Union Bank Inn. Though the Wildflower claims to offer “New Canadian Cuisine”, their entrees don’t appear to demonstrate a theme of any kind – a token pasta dish complemented by a few requisite beef and game plates “Canadian” does not make.

Shermie opted for the Mesquite Grilled Alberta ‘Prime’ Striploin ($48), while I chose the most foodie-centric dish on the menu: Chef Yoshi’s Bouillabaisse. Knowing that the chef was Japanese, I thought such an entree, prepared with Asian fixings, would allow me to best judge the quality of the restaurant’s offerings. While I intended to hone in on the fish, as shellfish really isn’t my cup of tea, I was excited as well about trying soba noodles, an ingredient I recently read about in Ruth Reichl’s Garlic and Sapphires.

After our orders were taken, Adam brought us amuses bouche. Count me shocked – I thought I had eaten in some fairly “fancy” restaurants in Edmonton, but none before Wildflower had ever served this pre-course. I wish I had written down the name of the amuse bouche, but all I can remember is the nice punch of flavour provided by the aged gouda.

Next, we were treated to a wonderful bread service, which at the Wildflower involved a lovely made-to-order brioche. Tasting just like the egg bread loaves available at T & T Supermarket, the brioche was delivered in the most clever serving vessel since frittatas in mini cast iron skillets – an oversized measuring cup. Two butters were provided, dressed with house-grown micro-greens, but really, the bread was sweet and fresh enough to be happily consumed sans adornment.

Everything was timed perfectly, as our entrees were made available shortly after our bread plates had been cleared and appropriate cutlery provided to us. My dish was artfully constructed, arranged as symmetrically as possible, and served with soy sauce, ginger, and wasabi mayo accompaniments. As expected, the collection of fruits de mer didn’t really appeal to me, though I did my best to finish the scallops and mussels in respect of the chef. The fish pieces were a mixed bag – the teriyaki halibut was the best of the trio – sweet and tangy, and cooked to a buttery soft texture, it put the rather bland sea bass and surprisingly tough salmon to shame. It took me a while to find a frame of reference for the bonito broth (a type of fish stock), but it eventually occurred to me that it tasted like a saltier miso soup – a lovely broth that seems to warm one from the inside. Shermie enjoyed her steak (as well as the quiche side), but said that it wasn’t as good as the Petite Filet at Ruth’s Chris.

The surprise of the evening came when Chef Yoshi actually came out of the kitchen to personally visit with every table! Some may view this as unnecessary pandering, but as someone with a keen interest in food, this was too cool. Of course, when he asked if we had any questions, all I could conjure up was something I immediately wished I could take back – I asked for help identifying the bamboo in my dish. Of course, given that I haven’t had bamboo shoots in recent memory, I can’t be too embarrassed.

We elected to spring for a “sweet ending” to our meal, and that was the best decision we made all night, both opting for the Chocolate Tasting. While what we received was slightly different than the menu advertised, neither of us would have complained as dessert was an absolute masterpiece. The presentation of our dish was like those found in larger metropolitan centres (or Iron Chef America), not in Edmonton, I thought. Although there were a multitude of elements incorporated, I appreciated the flavour sophistication they tried to reach, and if anything else, the variety that $12 bought us. The mango compote & sorbet was deliciously refreshing and the pineapple foam was interestingly paired with the concentrated dense chocolate ‘brownie’, but our favorite was undoubtedly the milk chocolate parfait, velvety smooth and comparable to traditional gelato.

The Wildflower Grill begs for another visit in about six months, when the new car smell has worn off. Still, a restaurant like this can only heighten the bar for others like it, and I really do hope that the Lazia Group doesn’t let it fall away with neglect like its other properties.

Exterior

Interior

Amuse Bouche

Brioche

Mesquite Grilled Alberta ‘Prime’ Striploin

Chef Yoshi’s Bouillabaisse

Chocolate Tasting

Quotable People: Installment Ten

The quotes in my 2008 page-a-day calendar are decidedly more sentimental that the fun, off-the-cuff ones from spirited women in my 2007 version. Still, I like having them here on my blog to kick around.

  • “And now whatever way our stories end, I know you have re-written mine by being my friend…” – Elphaba in Wicked (not from the calendar, but I heart the song this line comes from)
  • “A loyal friend laughs at your jokes when they’re not so good, and sympathizes with your problems when they’re not so bad.” – Arnold H. Glasgow
  • “The most beautiful discovery two friends make is that they can grow separately without growing apart.” – Elizabeth Foley
  • “Constant use will not wear ragged the fabric of friendship.” – Dorothy Parker
  • “When friends ask, there is no tomorrow.” – proverb
  • “The language of friendship is not words, but meanings.” – Henry David Thoreau

The Cooking Chronicles: Cheat’s Apple Tarts

I still had a half a package of puff pastry left over from Tuesday, so decided to give Donna Hay’s Instant Cook recipe for Cheat’s Apple Tarts a go.

Like the Strawberry-Brie Bites, this was a very quick assemble-and-bake recipe, great for those who are time-pressed to create a dessert. Learning from my Rustic Apple Tart lesson, I used sweeter gala apples this time around, and it did create a less sour, juicier filling. The melted butter, brushed over the puff pastry before lining the muffin tins, provided additional flavour as well. And while I didn’t have any on hand, vanilla bean ice cream would have rounded out the tart nicely.

This is another recipe I will definitely keep close in the event of a dessert emergency!

Cheat’s Apple Tarts

The Cooking Chronicles: Strawberry-Brie Bites

The original plan that Mack and I had for Jane’s party was to bring two dishes inspired by the letter “B”. But by the time I re-read Giada’s recipe for Classic Italian Lasagne on Sunday afternoon, I realized there wasn’t enough time to thaw two packages of frozen spinach I didn’t yet have, so we reverted to my tried and true Stuffed Shells with Arrabbiata Sauce instead. As for our second hypothetical contribution, I forgot entirely about needing to thaw the package of puff pastry we purchased two days before, and so my experimentation with Cranberry-Brie Bites was temporarily set aside.

Of course, the triangle of brie was still sitting in my fridge, waiting to be used before its expiration date this week, so remembering this time to leave the Tenderflake package in the fridge the night prior, I set out to put together this quick hors d’oeuvre (I will never learn how that word is spelled).

In all honesty, it took me about ten minutes total to grase the pans, roll out the dough, cut the squares, place small pieces of brie into the cups and a dollop of strawberry jam (Mack and I had scoured the shelves at both Sobeys and Superstore for cranberry sauce to no avail) on top. I did cut the rind off of the brie first, as I don’t care for the taste, and I think it contributed to the overall creaminess of the filling. I also reduced the jam content down to just over a teaspoon, and I thought the balance between the crispy, savoury pastry dough and the hint of sweetness from the jam was just perfect.

This is a versatile last-minute party appetizer – the bites can be pre-assembled and chilled, then baked just before guests arrive to be served warm.

Strawberry-Brie Bites