On Tuesday I introduced Mack to the manic energy of Charles Ross, aka the man behind The One Man Star Wars Trilogy. A sold-out crowd, packed into the cooker of a stage at the Strathcona Community League, provided ample enthusiasm to feed Ross’s one and half hour whirlwind tumble through Episodes four through six. There were a few differences between this version and the one I saw five years ago (notably, the “special effects” signifying the explosion of both Death Stars), and Ross this time wore a microphone, wise given the fact that he is performing two different shows this time around (his other, Sev, has nothing to do with a Hollywood film of any kind). Again, though the feat of cycling through the films is a testament to Ross’s personal zeal, much of the enjoyment of the show is provided by his character attributions (“schwing”, Luke’s whiny temperament), impersonations (I had forgotten how much I adore his imitation of R2-D2), and side commentary (“I’ll never work in film again!”). Like it did the first time, the show makes me want to watch all three movies over again. After the applause, Ross took a moment to implore the audience to follow through with any great ideas they may be sitting on. This is something he has done after every performance I have seen, so it was slightly less off-putting and seemingly more genuine to me than I have regarded it in the past.

I’m not sure if tickets are still available to the show, but there are, be sure to snap ‘em up.

On a different note, Fringe festival head Julian Mayne is optimistic about breaking the ceiling of the 77,000 indoor performance ticket sales tallied in 2006. I’ll keep my fingers crossed.

Also, online ticket purchases are up 20% – definitely good news for Mayne, who took a lot of flack for introducing the system last year. Still, it’s hard to see why everyone who has access to a computer wouldn’t pre-buy their tickets – the “Will Call” line is always shorter and faster at the Central Box Office.