MacEwan Theatre Arts: “Hot Mikado”

MacEwan Theatre Arts wrapped up their season with Hot Mikado. From the website:

“The story is based on the Gilbert and Sullivan original The Mikado. In an imaginary Japan, the town of Tittipu has tired of the Mikado’s (emperor’s) law which makes flirting the only crime punishable by death. They appoint a lowly tailor, one Ko-Ko, Lord High Executioner, since he has been condemned for flirting, and won’t execute himself or anyone else. Ko-Ko is about to marry his beautiful ward, Yum-Yum, but she is being pursued by a young man of her own age, Nanki-Poo, who is pretending to be a second-trombone player. He is actually the son and heir-apparent of the Mikado, having fled from his father’s court when accused of flirting with the elderly and formidable Katisha, who wants to marry him or have him beheaded. Will Nanki-Poo be executed? Will true love prevail?”

It’s not hard to guess the answer to that question, nor is it a huge leap to assume that the production relies too heavily of the charm on the cast to carry across a fairly trite story. In this case, as with most MacEwan productions, the cast was a mixed bag.

Corey Rogers (Nanki-Poo) and Yemie Sonuga (as Katisha) were both unfortunately unable to carry a tune. Thankfully, there were a few surprises (Adrianne Salmon and Matt Van Boeyen) to help balance out the group, but it was still a bit painful to have to sit through some pretty awful numbers.

Dickson and I were both looking forward to the appearance of Alissa Keogh, who even as a chorus Gentleman #7 in the first half of the production managed to outshine most of her castmates. The second act saw her take a turn as the Mikado, complete with a solo tap performance, which she nailed. Her ease with movement and song will be a loss to the MacEwan stage, but I am certain she will be on to bigger and better things upon graduation.

Also looking forward, the program included a listing of the 2008-2009 theatre season, which includes a play by none other than Stewart Lemoine, which will run from March 13-21, 2009. It seems his departure from the position of Teatro Artistic Director has allowed him the time and space to write for alternative venues like the Edmonton Opera and now MacEwan. Where will he pop up next?

Appalling Inconsistency: Ric’s Grill

I’ve been wanting to try Ric’s Grill (10190 104 Street) for a while, and a special menu offered in accordance with Edmonton’s Downtown Dining Week was the perfect catalyst to do so. So having made a reservation with enough wiggle room to make it to a show at MacEwan later that evening, Dickson and I headed to the Warehouse District on Saturday.

The Metals Building, in all its stalwart brick glory, always seemed inherently fitting for an upscale steakhouse. The interior offered nothing unexpected – dark wood, leather, and too-dim lighting reminiscent of Ruth’s Chris. While I understand that the booth we were seated in was designed to create a private enclave of sorts, Dickson actually felt borderline claustrophobic in its looming wake.

When I didn’t find a Dining Week menu among the leather-bound folders on the table, I requested one from our server. He replied that the promotion was not available to those who had not mentioned the special menu while making the reservation. As this was not clearly indicated on the website (as it is on Calgary’s Dine-Out Week site), nor was I asked such a question when I spoke to the hostess over the phone, I couldn’t fathom how this could have been their policy. Dickson amounted this to “nominal participation” in Dining Week, though when we heard a similar bottom line delivered to a nearby table who was also interested in the promotional menu, we found some comfort in their consistency.

Not so, it seems. May, who ate at Ric’s Grill the night prior, was immediately given the Dining Week menu upon request, even without “pre-ordering” over the phone beforehand. What boggles my mind is that the options available on the Dining Week menu are no different than what is offered on their regular menu, so a lack of food supply would not be an acceptable excuse. And as one would think the pre-fixe menus are meant to encourage otherwise experimental-shy patrons to dine outside their borders with the hope of reaping return business in the future, why so many hurdles would be in place to ultimately save the restaurant just a few dollars (the 6oz Filet Mignon pre-fixe with dessert was $35, while the same Filet Mignon is regularly priced at $31 without dessert) is beyond me. Though I will continue with this review to be thorough, it’s a safe bet I won’t be back at Ric’s Grill; it is unacceptable for a restaurant of their supposed calibre to be nothing more than a token participant in an event set up to promote the best of Edmonton’s urban cuisine.

I ordered the 6oz Filet Mignon, with a soup to start, while Dickson settled on the 12oz Top Sirloin and a Caesar salad ($31). The spicy beef and vegetable soup was great – the amount of beef was generous, and the vegetables had obviously been simmering for quite some time. Dickson said his salad (made from scratch), was quite enjoyable as well.

As for our entrees – I had no complaints about my steak, though I do think the Filet Mignon I had at Mr. Mike’s a few weeks back was just a touch better, if not only because I’d take a peppercorn cream sauce over Bernaise any day. And I won’t deny it – the fun of onion rings as a side is something I still haven’t gotten over.

Dickson’s sirloin, ordered medium rare, was exceptionally moist. So much so that the red juices that collected on his plate became somewhat unappetizing. I don’t claim to be a steak expert, but perhaps they should have let the meat sit for a while longer before serving it?

Ric’s Grill, I hardly knew ye.

Exterior

Interior

6oz Filet Mignon

12oz Top Sirloin

Little Italy: Worth the Trip

I’ve been meaning to make my way to Little Italy for quite a while now, but haven’t taken the time out of my day to go until this afternoon. Without a car, and ignoring the pedestrian option, I ended up taking the always interesting #5 bus (and the definition of “interesting” is very apparent if you’ve ever been on this route).

First up was Zocalo (10826 95 Street), a flower and gift shop. I was curious to see if it would measure up to its enticing advertisements. It does – I was greeted by cheerful gerberas placed outside the door, and a bright and fun interior. Zocalo offers beautiful flower arrangements, unique ceramics and glassware, and kitchen items that would freshen up any decor. I may be back for the hydrangeas I spied in the cooler, to spruce up my living room when I throw a dessert party in the spring.

Zocalo interior

The next block was vibrant with activity – a branch of Sorrentino’s, a cozy cafe in Tra Amici, and of course, the “flagship” Italian Centre (10878 95 Street). I’ve been to the southside location countless times, but this was my first visit to the downtown purveyor of Italian imports and fine cheeses and meats. While not as geographically convenient for me, I will have to say that I prefer this location – something about the diversity of the patrons, the inherent bustle created by narrow aisles, and a deli counter that literally spans the entire back-end of the store allows for the cultivation of a more authentically urban shopping experience.

Little Italy begs for another trek very soon.

“A Good Place to Meet”: hulbert’s

Annie and I had originally intended on meeting at The Silk Hat on Friday, but thankfully, I caught a bit piece in the Edmonton Journal about the diner’s temporary closure due to staff shortages.

Having to come up with an alternative venue, I chose hulbert’s (7601 115 Street). I first read about the neighbourhood eatery in Where Magazine, and then a positive review in See Magazine at the end of last year.

I didn’t really know what to expect, besides remembering that green was in the exterior color scheme somehow, but walking in, I appreciated how cozy the dining area was. All of the prime tables by the window were either taken or reserved, and we could see that an empty space near the front of the cafe was left open for a musician to set up shop later on that evening. What struck me, besides the beautiful custom-made mosaic tabletops, was how the space was able to transition between daytime and evening, simply by lowering the blinds, lighting a few candles, and putting on some smoky jazz.

We sat down around 5:30, and were surprised by the lunch menus we were handed by the waitress. When asked when dinner would be served, she indicated 6pm, so Annie and I decided to start with dessert and wait out the half hour to have heartier options beyond wraps and sandwiches.

hulbert’s offered pretty standard refrigerated dessert case choices: a few cheesecakes, an apple tart, a mousse. Annie decided upon the mango-berry cheesecake, while I simply couldn’t turn down the chocolate torte ($6). A few minutes later, our individual slices were presented to us, garnished with dollops of whipped cream and drizzles of colored syrup. Annie was glad her cake wasn’t as sweet as she was expecting, while I could have done with a tad more sugar in mine.

With our dessert plates cleared, and dinner menus in hand, we surveyed our options. As indicated on their website, hulbert’s doesn’t claim to offer an extensive food menu. Still, I didn’t expect just three entrees! On this day, their ever-changing selections included pork chops, baked salmon, and a pasta option, in addition to a number of appetizers. Based upon the food being delivered around us, it seemed most of the patrons that evening opted for the shared dips. Perhaps we should have deferred to the majority, but Annie and I were both in the mood for pasta (three color rotini in a homemade pesto with sauteed vegetables, $12), served with our choice of soup or salad.

Our vegetable soups were delivered in coffee cups, making for easy drinking. Except the chunks of too-hard vegetables (carrots in particular that probably could have used another hour on the stove) made the use of a spoon necessary. It did tide us over until our pastas were ready a short while later, served to us in lovely square bowls. Unfortunately, the pasta itself didn’t match the presentation – between the thin pesto and a paucity of vegetables, Annie was spot on in her description of our main being a “warm pasta salad”.

I would still give hulbert’s another opportunity to wow me in the future, mainly because the venue itself fosters an ambiance perfect for catching up with friends, or being treated to an evening of cool music.

Culinary Q & A with Echo

Occupation: Program liaison officer/ Employment Developer

What did you eat today?

(a typical day in Shanghai)

Breakfast: soup (white fungus, dates and pear), Chinese pork bun

Lunch: ate in a big Chinese restaurant
cold dishes: chicken feet, lotus with sticky rice, dates with flour in the middle,
warm dishes: spicy chicken, sharkfin (due to the decreasing numbers of sharks, I refuse to eat from now on), stinky tofu, spicy fish


What do you never eat?

Elk horn
Supposed to be good for your kidney…..but I have never tried

What is your personal specialty?

Ma po toufu

mine does look as good as the picture ha

What is your favorite kitchen item?

Garlic chopper
Very convenient

World ends tomorrow. Describe your last meal.

Spicy crayfish

Where do you eat out most frequently?

Olive Garden (that’s where me and my bf had lunch for the first date)

What’s the best place to eat in Edmonton?

Depends on what kind of food…
Japanese, maybe Wasabi restrant
Chinese, maybe golden rice bowl (try their BBQ duck)

If you weren’t limited by geography, where and what would you eat?

Shanghai
Everything I mentioned above ha

Edmonton Symphony Orchestra: Lighter Classics, From the Heart of Broadway

Dickson had been looking forward to the Edmonton Symphony Orchestra’s From the Heart of Broadway edition of Lighter Classics for some time, and I was eager to see what Sheri Somerville could do on a non-theatrical stage.

After a few concerts, I now know that my personal enjoyment of the symphony hinges on: 1) whether I recognize or have a prior connection to the music; and 2) have non-music distractions to focus on. The only song that I had heard before was parts of Oklahoma!, but other than that, the majority of the pieces were too slow for my sleep-deprived brain to follow. The upbeat, brass heavy songs were my favorite – so much so that I kept wishing they would reprieve some of the Big Band jazz from the concert I attended earlier in February. Thankfully, James Campbell on the clarinet was a saving grace of sorts – an undeniable talent, his encore was much appreciated.

As for Somerville, her attempts at opera-fying Porter and Gershwin tunes were miserable failures. Dickson said it sounded as if she had a cold, or was trying to sing with something stuck in her throat, and I couldn’t disagree – her efforts at falsetto were misplaced. As such, I thought she was completely the wrong choice for the type of songs she was asked to sing…until “Worst Pies in London” from Sweeney Tood. Part acting, part singing, she nailed it, though the cheekiness of the song helped as well.

William Eddins conducted this concert, and watching him is always a treat. While he didn’t jump on the stage this time around, he is always a wonderful host, vibrant and deeply passionate about music. He would undoubtedly make a great dinner party guest! Dickson was really impressed by his ability to simultaneously play the piano and conduct. (On a related note, he will be guest conducting Porgy & Bess in Lyon in May, and invited those in the audience to join him in France. He offered a free ticket to the concert, as well as a dinner together in September. Any takers?)

While I can’t say I wholeheartedly enjoyed this concert, the ESO continues to amaze me with their sheer number of events, and consistent ability to pack the house. I really relish my membership in the Pulse8 Club for providing these inexpensive opportunities of exposure to the symphony and its surrounding music community.

Appearances Can Be Deceiving: The Golden Bird

“This is it?”
“I’ve driven down this street hundreds of times and have never noticed it before!”

The Golden Bird (10544 97 Street) features a storefront so aged that it literally blends with its surroundings, resembling one of those sad ghosts of a business that reflects only a past of prosperity. Of course, even if the exterior didn’t suffer from neglect, the surrounding block of merchants would make it difficult to maintain the sheen expected of a restaurant with a name that conjures up images of phoenixes in flight. Still, the reputation of The Golden Bird precedes itself; coworkers of both Dickson and I have personally recommended their brand of Vietnamese and Chinese cuisine to us.

On Thursday, we made our way to Chinatown, found some parking at the rear of the building, and walked inside. As my colleague had warned me, the interior was in serious need of a Restaurant Makeover. I didn’t mind their penchant for outdated and cheap art (Kim Andersen prints), but I do think that their furniture could use a major overhaul. Dirty from years of use, the chairs were coated with grime. The tables were topped with glass, and underneath, as custom with many ethnic eateries, were copies of outdated reviews from local news media. The articles indicated The Golden Bird does most of its business at lunch (both takeout and dining in), which seemed to be true, as the restaurant had just two patrons as we sat down. But through the course of our meal, other tables filled up with families, groups of friends, and couples, most of them appearing to be regulars.

The menu featured standard Vietnamese and Chinese fare (and interestingly named dishes, such as the 5 Colour on Rice or Vermicelli), but as Dickson and I are both pho enthusiasts, we jumped straight to the noodle soup section. My decision was an easy one – I always opt for the bowl featuring medium rare sliced beef ($7.50), while Dickson typically selects whatever the house special is. In this case, it was the Golden Bird Beef Noodle Soup ($8.50), with all kinds of meat but no egg. For comparison purposes, we also added an order of green onion cakes ($3.95).

Asian restaurants are known for two things: cheap eats and quick kitchen-to-table service. The Golden Bird was no different. Our green onion cakes arrived promptly, still glistening from their deep-fried treatment. I found the cake itself to be quite doughy, and needing just a tad more salt, but they were still a satisfying and promising start to our meal.

Our noodle soup bowls arrived even before we had a chance to finish our appetizer, steaming hot and inviting on a winter’s night. Shredded cilantro, green onion slices and slivers of red onions floated on top in a lovely medley of fragrance and flavour. I was a tad disappointed in the small quantity and toughness of the meat, but the broth, savoury and coming perilously close to matching Pagolac’s perfection, made up for it somewhat.

Neither Dickson nor I were willing to concede the southside Pagolac’s pho crown, but we do believe that The Golden Bird will provide a tasty and pleasing alternative to pho lovers in the downtown core.

Exterior

Interior

Green Onion Cakes

Golden Bird Beef Noodle Soup

Medium Rare Beef Noodle Soup

Close-up

Kerstin’s Chocolates: The Cocoa Room

Kerstin’s Chocolates (11812 121 Street) opened its first store, The Cocoa Room, about three weeks ago. I have seen their signature Chocophilia bars at shops around the city, but had never purchased one to try. A random Wednesday seemed like a good time as any to see what all the fuss was about.

From the website, a quote from founder Kerstin Roos about what sets their products apart:

“There are three big differences between our chocolates and the majority of chocolates out there. We use only single-bean aromatic varieties from the top-end plantations in the world. We make our own products by hand for the best quality control and freshness. And we are exploring ways to connect with our local food culture by incorporating local products like organic Evans cherries grown just outside of Edmonton, or locally grown hemp hearts into our recipes.”

The Cocoa Room, tucked underneath a residential apartment building, is tiny. Clean white, with shelves neatly organized to show off its wares, the interior reminded me very much of the boutiques in the High Street area. As I walked in, I could hear pounding – not the sound of hammers, but of de-moulding chocolate.

A store clerk immediately came out to greet me, and once I let her know that this was my first visit, she started introducing some of their Chocophilia flavour creations. The website only lists 13 varieties, but as she gave me a sample to try that isn’t included in the online catalogue, I do believe the store has more extensive stock. The white chocolate lime was such an unusual combination, but worked, melding the richness of the high cocoa butter content with bites of citrus tang. Chocophilia Hot (with cayanne pepper) snuck up on me, needing a few seconds before releasing its heat in the back of my throat. I also tried Kerstin’s Chocolate Caviar – cocoa nibs from Venezuela dipped in 65% dark chocolate then rolled in cocoa powder. Kind of like a cross between a cocoa puff and a coffee bean, I’m not sure they’re as addictive as advertised, but I can see them being used as a unique garnish on desserts.

Beyond their house-made bars, they also sell imported, single-origin chocolate bars, drinking chocolate, melting chocolate, and yes, even books about chocolate (I spied Charlie and the Chocolate Factory!). The store will also begin offering monthly chocolate tastings (for just $15) in March, although that sitting is already fully booked.

I ended up with two bars – the Fleur de Sel (49% milk chocolate with sea salt) and the Mocha Bean (65% dark chocolate with crushed coffee beans). Chocophilia is not cheap – at $3.95 for a 43g bar, this isn’t your average corner store craving run. But with the undeniable appeal of being an Edmonton owned and operated business, and their admirable ideals for purchasing locally, it was a small price to pay for contributing to a home-grown company.

Back to the chocolate – the clerk said that because all of the chocolate is made in-store, freshness is guaranteed. I could tell this was true just from opening the packets – the aroma was unmistakable. The salt kernels in the Fleur de Sel were detectable, but not as a point of distinction. I much preferred the Mocha Bean – the crunchy additive of fresh Transcend Coffee-roasted beans was delightful, and of course, the tried and true combination of coffee and chocolate was a winner.

It occurred to me that incorporating locally-grown or manufactured products into a dinner party would be a subtle way of introducing friends to what is available in the city. From an Inspired Market Garden salad to organic vegetables from Peas on Earth, to beef from Spring Creek Ranch (Judy Schultz just published a story about the family behind the farm), it would be an interesting exercise to spur discussion about the locavore movement, and to share knowledge about the stories behind products – something that is almost always absent from groceries picked up en masse at the supermarket.

Check out The Cocoa Room for some great chocolate goods, and let me know your favorite flavours!

Kerstin’s Chocolates

Chocophilia galore!

Theatre Network: “Famous Puppet Death Scenes”

Even a day later, I still don’t know what to make of Famous Puppet Death Scenes.

I felt a pang of regret last year when I missed the Calgary’s troop’s performance at the Roxy, having heard many good things about them, so I made sure to note the date of their return engagement in 2008. On Tuesday, we joined a full house to watch re-enactments of the most macabre moments in puppet theatre history.

A fairly standard puppet theatre frame, with a large curtained window flanked by two smaller ones, greeted us on stage. Everything started out well enough, with a rubber puppet resembling a face crafted out of an upside-down chin doing its best to elude a stalking wooden fist intent on destroying it. Scenes featuring this figure doing its best to dodge death (accompanied by some upbeat, trumpet-blaring music) were sprinkled throughout the play, and were always a welcome sight. I couldn’t help but laugh at the way its arms would flop as he did a happy dance.

A host figure (who looked like a green-tinged Albert Einstein) was used as a unifying force of sorts, trying to stitch together the individual scenes by posing thoughtful questions. But with some of the rather comic deaths following such requested introspection, pointed reflection quickly dissolved into laughter. Still, the sequences that were punctuated with humor ended up being my favourites, including the squeaky-voiced German figures that had to choose between two fateful doors, game-show style, or the futuristic, immortal Johnny Depp-lookalike aliens who had no concept of death. Unfortunately, funny was few and far between. The majority of the scenes involved more symbolic, solemn representations of death, such as the role of time in its erosion of life (in the morose but excruciatingly slow The Cruel Sea), the long, telling blink from a single large eye in The Last Whale, or the flight of King Jeff the Magnificent through space. By the end of the play, I was so exhausted from trying to stay awake that any profound message I was meant to gather would have been lost on me.

Content aside, I did appreciate the craftsmanship that must have gone into the puppets themselves. The Old Trout Puppet Workshop demonstrated their expertise with different types of material and a variety of styles, including marionettes and hand puppets. Mack liked the distinct backdrops used to set the individual scenes, which helped the viewer imagine the type of world that particular puppet inhabited (the alley created for The Beast of Muggditch Lane had great lighting too).

While I don’t deny the chance that I simply didn’t understand what the company was trying to get across, I think it is quite possible as well that the premise of the play – funnelling through unrelated, random sequences from multiple sources – may ultimately have reduced the connection that could be fostered between characters and an audience throughout the course of a full-length play. So although death was the common link throughout, Famous Puppet Death Scenes was too plodding and scattered for me to recommend.

Better with a Discount: Mr. Mike’s Steakhouse & Bar

Mack suffers from an affliction I’ve termed CAD, or Coupon Aversion Disorder. The idea of saving a couple of bucks is usually enough to entice the would-be diner, but with Mack, the opposite effect is true. So count me as shocked when he took me up on a (God forbid) 2-for-1 offer at the newest franchise to shack up on Bourbon Street in West Edmonton Mall – Mr. Mike’s Steakhouse & Bar (1647, 8882 170 Street).

Open since June, the only thing I had heard about the restaurant was that a decent, reasonably priced meal could be had there, courtesy of James. A quick once-over of the online menu revealed no surprises – the typical mix of share-plate appetizers, burgers, one-off pastas and stir-fry bowls, and of course, steak. Prices, as we would discover, are less than those found at The Keg.

Mr. Mike’s doesn’t take reservations, but early on a Tuesday evening, pre-booking wasn’t necessary. I was promptly seated in the small, dim lounge near the front of the restaurant, and as I waited for Mack, surveyed the decor. Besides a decorative Native carving of some sort, I couldn’t figure out what the slogan, “It’s a West Coast Thing!” was supposed to mean. Based on our seating arrangement, on IKEA-esque chairs more suited for a sitting room than a dining area, and a sectional couch along one wall (pity the poor soul who has to eat meat bending over a low table), I figured those on the coast just don’t know how to use space wisely and practically. That said, we could have requested a booth in the proper dining room, which featured a rather lovely bar and a high ceiling. But with the onslaught of food we were about to receive, in the end, it didn’t matter where we were seated.

Mack arrived shortly after, and I convinced him, as we perused the menu, to come over to the dark side of the great coupon divide. Thus, we both ordered steaks: he the 9oz. New York, supersized into a Classic Combo ($26.99) which included a Caesar salad, sauteed mushrooms, and starch in the form of fries, and I the 6oz Filet Mignon, served with a side of roasted garlic red-skin mashed potatoes ($25.99). We also requested a plate of Calamari ($8.99) to start.

Our server was nice, albeit perhaps not genuinely so. I’m almost certain she is very good at her job, but on that night, she had a shadow of a trainee, which can throw off the best of us. Thus, she ended up forgetting about our appetizer order, and made it up to us by offering the calamari on the house. As with most things fried, I enjoyed the crunchy little morsels, but Mack claimed calamari supremacy still belonged to Earls. Mack’s salad was a meal in and of itself; he even resorted to packing up the last half for (yes) lunch the next day.

The steaks arrived in no time. I thought Mack’s ridged plate would make it difficult for him to cut through the meat, but he didn’t seem to have any trouble with it. We had both asked for medium preparation, and it was perfectly done for both of us; my filet mignon was incredibly juicy and tender, and the peppercorn cream sauce provided some bite and high caloric flavour. The side of onion rings, tasting very similar to those at A & W, were a nice treat as a less common accompaniment.

With our coupon (and our server’s mistake), we ended up with a bill totalling only $33 before tax and tip. The food was great though, and even at regular price, I would have heartily enjoyed the meal. Still, life’s better with a discount, so hopefully this tale will help others with CAD realize that exercising frugality really isn’t so bad.

Caught in my food blogging routine

Calamari

Caesar Salad

New York Classic Combo

Filet Mignon with Garlic Roasted Potatoes and Onion Rings

Mack enjoying the calamari


My (almost) empty plate