The above was a headline in today’s Edmonton Journal. Gotta love a paper with a sense of humor.
A similar article from the Daily Telegraph here.
The above was a headline in today’s Edmonton Journal. Gotta love a paper with a sense of humor.
A similar article from the Daily Telegraph here.
This really doesn’t deserve an entire post on its own, but I don’t think I can hold onto this announcement until I have enough material for a “Tidbits” entry.
Whimsical Cake Studio, of Downtown Farmer’s Market fame, is opening up its store on Friday, June 15! Located at 14910-45 Avenue, grand opening festivities will be taking place some time in mid-July. Having sampled cupcakes from Edmonton, Calgary, and Vancouver, I can confidently say that Whimsical offers some of the best treats available in both Alberta and BC.
Needless to say, I’m craving a cupcake right now…
This year’s Elizabeth Sterling Hayes Awards nominations were announced last week. Recognizing the best in local theatre, the nominees span the gamut from risky productions (Catalyst’s Frankenstein) to heartfelt dramas (Theatre Network’s Closer and Closer Apart) to experimental, edgy material (Citadel’s The Pillowman).
I don’t feel as if I am in a position to pick the winners, as I haven’t seen all of the shows listed (Frankenstein would have been hit or miss with me, but I regret not seeing it for all of its critical acclaim), but I am happy to see some names singled out that I did have the pleasure to watch on stage this season. James DeFlice and Patrick Howarth were great in Closer and Closer Apart and Dreamland Saturday Nights, respectively, and I can’t disagree with Andrea House’s nomination for her supporting role in David Belke’s The Raven and the Writing Desk because she is just that good. Lastly, what can I say about 10 Days on Earth that I haven’t already? Simply amazing.
Teatro La Quindicina is glaringly absent from the ballot (both in productions and their family of actors), but as with most entertainment awards, comedies are as a whole ignored in favor of the dramatic. Maybe next year.
Winners will be announced at the gala on June 25.
Furthering a story I posted about late last year, Sarah Jessica Parker confirmed that a movie version of Sex & the City is in the works:
“Speaking on TV show Entertainment Tonight, she said, ‘This is a very complicated puzzle to put back – not for the reason that people speculate about because as far as I know all of the actresses want to be together again for this movie. Somehow in my brain I think the timing is fortuitous because if we had done it years ago… we couldn’t have done it now. I’m hopeful and very excited about it.'”
The IMDB page for the movie has the release date pegged to be 2008. I’m not holding my breath until someone other than Parker speaks about the film (in particular Kim Cattrall, who’s rumored riff with Parker was the reason a movie immediately following the television finale was quashed), but based on both her and Kristen Davis’ lack of upcoming projects, I’m sure any work that would push them back into the pop culture spotlight would be a welcome assignment.
I just returned from Shrek the Third, the movie we watched to cap off Michael’s farewell evening.
As with Pirates, though of less importance, I could only vaguely remember what had taken place in the movies prior. Perhaps because of lowered expectations going in, I did enjoy this third installment. Justin Timberlake, the new voice addition, was pitch perfect as the whiny, adolescent heir (who, in Doug’s opinion, resembled Corey Feldman – you be the judge), and crowd favorites Donkey and Puss in Boots were their usual smile-inducing selves (they really could have their own movie). I will also admit to enjoying the princesses coming-of-age sequence (Snow White could be the X-Man who controls animals!). And with the exception of the Frog King’s twice-over fake-out deaths, there were enough lighthearted, humorous moments to keep me entertained.
Though I didn’t originally intend to catch this sequel in theatres, I didn’t regret doing so.
I was first exposed to H & M while in Toronto on vacation about this time last year. They had a great selection of both work and weekend wear for a reasonable price, and while some eschew their quality, I find their “disposable fashion” made of better material than its counterparts Forever XXI and to some extent, Zara.
I’ve visited the West Edmonton Mall location twice since it opened, and have been floored both times. In direct competition with Forever XXI, H & M trumps them in every category: the staff are numerous and friendly, the fitting rooms are innumerable, and the tills are speedy. Their merchandising by style is helpful as well, and I haven’t found it too difficult to locate duplicates of orphan items that have caught my eye. Lastly, I have come across some great deals – I picked up a short-sleeved wrap dress shirt for $20 less than the C’est Sera version I saw a few weeks ago.
So if you needed a reason to brave the crowds at WEM, you now have it.
Guided in part by a recipe I picked up at Save-On Foods a long time ago, Mack and I made Quesadillas for supper yesterday.
We decided to try Maple Leaf’s Fully Cooked Chicken Breast Strips, though after opening the package, I wouldn’t recommend it. It was just enough for two quesadillas, and when an entire rotisserie chicken could be purchased for a few dollars more, even the ease of thirty-second preparation wasn’t worth the expense. In addition to the meat (salami was our other base), we added provolone and marble cheeses, tomatoes, green pepper, green onion, and (for Mack) sour cream. After a light brushing of olive oil and 15 minutes in a 400 degree oven, they were done.
Crispy, filling, and a great way to use up leftover meat and raw vegetables, the quesadillas are a quick lunch or supper idea that’s definitely worth a try.

I went to watch Knocked Up with Mack late Thursday afternoon. In the weeks since it premiered, the movie has received surprisingly positive coverage, and not just because of its directorial connection to the also-critical darling The 40 Year Old Virgin.
A story about two strangers deciding to try to make a relationship work after the titular consequences of a one-night stand, Knocked Up was well-done on many levels. The situations, dialogue and acting all seemed so natural, quite an accomplishment on the part of the filmmakers. Nothing (except possibly the ending, but more about this later) seemed staged, and the conversations and crises faced by the characters would be ones expected in the real world. Katherine Heigl put in a strong performance, but I thought (echoing many critics) that supporting cast members Paul Rudd and the hysterically energetic Leslie Mann stole the show. As for the ending, while I can appreciate the desire to cap a supposed “romantic comedy” with a happy conclusion, I am of the opinion that the real struggle for Ben and Alison would begin when they realize that their relationship must exist outside of the bubble created by a child (an assessment that the hopeless romantic Mack disagrees with).
Knocked Up is a good, funny alternative to the bloated summer blockbusters in theatres now.